A frontman in his own right, Nils has been happy to play sideman — and secret weapon — for several rock ‘n roll greats.
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Most interactions that occur between fan and Rock star last maybe 1, or 2 minutes. Occasionally, some fans get lucky enough to have a longer period talking with an artist whom they love, with maybe even enough time for a photo or two, too. In those moments, the fortunate fan is elated to a level similar to, or even greater than, the actual experience which makes them a fan to begin with… In either case, meeting an idol, an inspiration, or personal rock ‘n roll role-model is an unusual and rare joy. I got lucky once, when I was invited to meet Stevie Van Zandt in New Jersey. However, despite my big dream that one day I might meet Bruce, I figured that my luck where meeting the musicians who give my life the greatest soundtrack was concerned, was spent.
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With that in mind, as I stumbled through the revolving glass doors of Oslo Gardermoen, into the clean, crisp air of Scandinavia, I had no idea of what was to come.
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Standing beneath the formidable, yet soothingly Scandinavian styled overpass outside the entrance to Arrivals, and waiting for my Norwegian Springsteen fan, turned friend, Mari, to collect me, I felt like I was just waking up after a deep – and rather dark – winter hibernation. The last time I had seen my favourite man with my favourite band, had been some 7 months before, on a string of cool summer’s nights in New Jersey. When I left my last show – the famous Birthday show which posed the potential for Bruce to receive ‘a lightning bolt up [his] ass’ – I couldn’t have anticipated that it would be so long until my next concert. As a ‘hardcore’ Springsteen fan, I live in a constant state of denial… a both chronic and acute refusal to accept that the last show of a Tour leg has passed. Maybe it would be Minnesota, or California… Kentucky or even Nebraska, I was surely going to see them again…
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No. Such. Luck. One very long, and very torturous, 7 month wait later, and here I was – in Oslo.
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While the Americans are stereotypically loud, gun-carrying, pick up driving, red necks, and Brits are all friends of the Queen who drink tea and have very bad teeth, the Scandinavian stereotype – characterised by wealthy, tall, blonde haired and blue eyed people, styled with a sophistication synonymous with Borgen’s Birgitte Nyborg – is scarily accurate. Back in the UK, and U.S, I am used to being at least half a head higher than most other concert goers, owed to me by my 6ft 3 frame. In Oslo, I was merely slightly above average. Driving through the mean streets of Oslo towards the Telenor Arena, and via a gorgeous area known as Bygdøy – where I hope to one day live as a rich & successful Scottish writer in exile (a guy can dream) – where I took a moment to absorb the sheer beauty of the Norwegian capital’s landscape, the Scandinavian stereotype continued to ring true. In times of austerity and job cuts across Europe, Oslo is enjoying the continued effects of an oil- rich economy refusing any invites to cease booming. The once tranquil harbour is now crane-city, erecting towers reaching high into the blue skies over Oslo. Despite this, however, Oslo (or Ooohsshhl-o as it’s pronounced) still has the feel of a vibrant, cosmopolitan, metro-utopia.
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Arriving at the Telenor Arena, music was playing and the usual sight of small pop-up tents, home to – already – straggly concert goers, surrounded the all-important list. After meeting another Norwegian Bruce fan & friend, Nilei, Pit Queuer Number 1, Hans, assigned us our numbers. 37.
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3 nights later, and one of the most magical experiences of my life. The weather was cold. So cold that between roll-calls we embraced one last snow flurry – a reminder that, indeed, we were far up North. As we were frisk searched at the barriers, the first view of Oslo’s Telenor Arena – and the much important E Street stage – came into sight. Whereas in Barcelona last year, I found myself encouraged to run the length of the Olympic Stadium, reaching our spots in front of Bruce’s stage in Oslo was a thoroughly different affair. A brisk walk, at most, security encouraged us to be calm, and slow. Nearly 4 days of queueing, and we had our spots. Front and centre, baby!
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As we sat and waited for the legendary E Street Band to remind us that “it ain’t no sin to be glad you’re alive”, screaming erupted throughout the 200 or so people in the pit. As everyone ran, I jumped up – and, as I was at the front, on the barrier – simply turned around to see a grey t-shirt clad Bruce Springsteen, standing on the stage in front of me. He took a stroll around the pit, pointing at people, smiling at his fans, and commenting on those he recognised. As he made his way past me, Bruce’s warm brown eyes stared into mine, and gently under his voice he said “I remember you”. My eyes closed as my heart was lifted on up high. When I opened them, Bruce was standing with a black acoustic guitar… Ready to take requests.
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Heaven.
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With gentle force and to the faces of 200 welled up fans, Bruce tore into ‘This Hard Land’, ‘All That Heaven Will Allow’, and despite a ‘broken piano’, ‘The Fever’ (solo acoustic guitar), before finishing with ‘Growin’ Up’… As he stood in front of me on the mini-stage and sang to the hardcore fans who Springsteen dubbed as having “no life”, we all stood together and sang… From chanting
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He’s got the fever, oh he’s got the fever
Nothing a po’ boy can do
When he’s got the fever for a girl
He’s got the fever, oh he’s got the fever
Left this little boy blueㅤㅤㅤㅤㅤㅤㅤㅤ
… to the chorus of ‘Growin’ Up’
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And I swear I found the key to the universe in the engine of an old parked car
I hid in the mother breast of the crowd, when they said “pull down” I pulled up
Ooh, ooh, growin’ up
Ooh, ooh, growin’ up
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As Bruce encouraged the crowd to sing higher and higher, louder and louder, the whole Arena echoed with the elated crowds of fans who were as close to heaven as is possible. If the E Street Band wasn’t as important as they are to us, then we wouldn’t have waited out in the cold for 4 (and in some cases 6) days to see them. Bruce recognised that, and paid thanks in the most special way. It’s one thing to turn up and rock a stadium, and quite another to make a few hundred people feel as though we were in the front room of the Springsteens, being treated to a private concert. As Bruce left the stage and smiled, telling us he’d be back in an “hour or two”, we all smiled and asked the same question - “did that really just happen?!”.
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It did.
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When Springsteen returned later in the evening, followed by his Band, the crowd roared with musical ecstasy. The spot next to Bruce was empty, and as he beamed down the microphone to the faces of over 25,000 people, he asked “where is Steven?!”, smiling and nodding his head as though teasing a puppy, he continued “Steven has been missing, for many shows now!”, and to laughing cheers added “he was kidnapped by Norway! This is a special night, he is back with us tonight!”, before beckoning Stevie onto the stage… Introducing him by his character name from ‘Lilyhammer’, Bruce had one thing right – the night was going to be very special indeed.
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“Professore…”
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Night 1 began.
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Handing the centre mic back over to Bruce, the Band came alive all over again. ‘Two Hearts’ opened, to the jubilant crowd. My 11th concert of the Wrecking Ball Tour, and this show emphasised Bruce and Stevie’s chemistry best. We were bearing witness to the reunion of two best friends. Their song told us that, their smiles told us that, and the crowd’s reaction told us that too. As the Band powered into No Surrender, Nils pointed at my friend Nilei and I, and gave us the first of many winks.
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The night before, while huddled against the cold wet wind and taking – yet another – roll call, we became alerted via twitter that the great Nils Lofgren, and his wife Amy, were checking out a bar in downtown Oslo. With a couple of hours to kill, and a cheeky desire to maybe catch a glimpse of one of the world’s greatest guitarists, Nilei and I headed out on the Number 31 bus. Like my stage dance last year, there was a noticeable contrast between the thought of executing such a plan, and realising it. When I appeared on stage for Nils’ 61st birthday last year, there was a ‘holy shit!’ moment when it occurred to me that I was on stage in front of 55,000 people under the premise that I could dance. That feeling returned when, standing at the same bar as Bruce Springsteen’s second guitarist, it occurred to me just what we were doing. Trying to be as polite as possible, Nilei and I crept up on Nils and his wife and introduced ourselves – expecting maybe 2 minutes and a quick photo.
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At first, Nils let his wife Amy do most of the talking. We listened to her enthusiastic welcome, aware of how surreal it was to be standing next to “the great Nils Lofgren”. With butterflies in my stomach and a lump in my throat, I introduced myself to Nils as Nilei and Amy got on like a house on fire. To this day I don’t know how it happened, but after only a couple of minutes we were in the thick of conversation. I mentioned how I was a fan of Neil Young, and how on a 4,600 road-trip ‘between Bruce shows’ last September, I heard ‘Albuquerque’ for the first time, in Albuquerque. Nils smiled when I mentioned how I drew the connection, when on ‘Tonight’s the Night’, Neil Young calls his name. Nils and Amy were quick to show Nilei and I photos from a few months ago when Young and a mutual friend visited their home, driving an eco-car which runs on waste. Nils recommended Clive Cussler as a man to check out, in a continuing effort to understand climate change. We discussed everything from love and life, to music, the E Street Band, loss, Clarence & Danny, concert preparation, and even how at 61 Nils manages to perform for over 3 hours without needing the loo, which Amy dubbed ‘toilet talk’. As we laughed, we also discussed the similarities in our lives. Nils was genuinely interested, and also sad, to hear about my Father, though intrigued by his own story as a musician. He told me about his moments “in the dark”, with Clarence and Danny, and how they honour their memory by playing the music which brought them together. Lofgren’s stance on his place alongside Bruce was also massively interesting. I had thought that it would be a hard task to stand on stage without two of his friends and fellow band-mates, but stoically Nils talked about his job as simply to do what The Boss, Bruce, needs him to do. We talked about the intangible nature of music, and how Nils started off playing classical accordion, for 2 years, and how it was through music that he found a voice – similar to how his music, along with E Street, gave me and fellow fans a voice, too. I couldn’t help but ask Nils about my favourite of all his songs, ‘Man In The Moon’, and I asked if perhaps he’d return to my hometown as he did in 2009, to which Amy enthusiastically encouraged me to contact the Concert Hall here and get the ball rolling. Throughout the whole hour we spent chatting, not once did it feel like I was standing face to face with one of the world’s most talented musicians, rather another normal guy sharing a drink in a bar. After all, the Lofgrens did fly commercial over to Europe.
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As the time ticked away, occasionally it dawned on me that surely at some point the conversation would quieten and that would be our cue to leave, but it didn’t. I carried on listening to Nils and Amy intently, as they revealed wonderful truths that I might never have otherwise learned, and responded to comments which Nilei and I made. I was staggered at how generous they were, both with their time and their honesty.
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Throughout my conversation with Nils, from the tender subject of death, to the question of age and continued learning, the one word which kept being repeated was evolution.
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That was the biggest lesson I learned during that hour – the lesson of evolution; that every experience we have, and every moment we spend here – whether it be smiling or hurting – is just another small part of our evolution. Our physical evolution, our emotional evolution, and our spiritual evolution. As Nils said to me – he was once at 0 himself, and when commenting on my writing he agreed that I should never aim for literary perfection, but continue my conquest to tell the truth. And that, he said, is what makes us equal…
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After taking a few photos with us, and commenting on how if the fact that we had been in line for 3 days wasn’t crazy enough, the Swede’s had already started lining for a concert 5 days away, Nils gave Nilei a copy of his newest album, ‘Old School’. Delving his hands deep into his pockets, he then selected the holy grail of music-related gifts – a guitar pic which he has used on stage with the E Street Band. Signing it ‘Nils’, he gave me his pic and that concluded our evening. Nilei and I walked alongside Nils and Amy, to the front door. Bidding him ‘happy rocking’, they went right, and we went left – our hearts filled, and our minds endowed with memories to last a lifetime. Again the question was asked – “did that really just happen?!”.
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Evolution
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As the mighty E Street Band began their mission to bring the power, hour after hour to Oslo, I found myself looking back into Nils’ eyes, and returned the gesture which he made Nilei and I. As the concert progressed, so too do its special nature. With 14 Wrecking Ball shows under my belt, I have been pretty spoiled by setlists. I’ve heard Jungleland 3 times, and my favourite song, Racing In The Street, 3 times too. I’ve now heard Prove It All Night (with the ’78 intro) 5 times, and The River more times than I can remember. Even by that standard, the set of Oslo’s first show blew me away. Standing hand in hand with one of my closest friends, we sang of Better Days ‘shining through’, as Stevie gave us a smile and a wink to tell us that every little thing is going to be all right. No Surrender reminded me why it was that I wasn’t standing in University, rather hundreds of miles away… After all, we learned more from a three minute record, baby, than we ever learned in school. When the Band thundered into the groovy E Street Shuffle, they descended down onto the mini-stage right next to us. We boogied the time away, with the E Street Horns within grasping distance. Returning to the stage, the Arena went dark before a Tour premiere…
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If your heart is restless from waiting too long
When you’re tired and weary, and you can’t go on
Well if a distant dream is a callin’ you
Then there’s just one thing that you can do…
Follow that dream.
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As the song ended, I felt a transient moment of being back in Barcelona, when Bruce stepped up to the microphone and played the intro to ‘The River’. My eyes filled with tears, as I become all too aware of the friend I miss so much. Front row, and centre, I had a close and unobstructed view of Bruce as he played with all his heart. A sang and looked upward, and thought of Pere, my friend, my brother, without whom I’d never had made my first two Bruce shows. As the Band carried on playing, and Bruce broke into the ethereal falsetto which defines his 1980 classic, I was reminded of what made me feel so strongly as to write nearly a year ago “God was in that Stadium“, as the light descended down upon Springsteen, and his words filled the air.
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When the Band played ‘Pay Me My Money Down’, Bruce appointed me ‘time keeper’. 90 seconds, and he guaranteed he would have the whole Arena off their asses, as their brains received a message from their butt telling them to do so. As it happened, Bruce was right… 10 seconds in and even the people at the back were having a dance party, and one of them as it transpires, was Norwegian Prime Minister, Jens Stoltenberg! When the E Street Horns came down onto the mini-stage again, I enjoyed fervently singing with Jake Clemons, while he teased me by semi-acknowledging my Drive All Night sign.
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Bruce and the Statsminister- http://www.vg.no/musikk/artikkel.php?artid=10109645
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The connection with the Band kept coming. When Cindy came to preach during Shackled & Drawn, we sang to one another, for a few moments… I was reminded of what President Obama once said. It wasn’t so much a Rock concert, as communion. When Bruce played his signature intro to Thunder Road, all truths were validated, and all fears cast away. Standing arm in arm with my dear friends, Soozie smiled at me, and I smiled right back at her. To be that close to the Band, was to justify 4 days of queueing. To be a fan of Bruce Springsteen & the E Street Band, is to be a part of one of the world’s most special relationships.
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When the encores began, little to no-one could have predicted what was to come. The Band had left the stage, and Bruce walked over to the piano. He thanked Oslo for another great show, and for being so welcoming of E Street to their culture. As he sat down, he mentioned that he had played The Promise a year before, and that tonight he had something special “For You”. A song full of heartbreak, the Norwegians around me in the crowd embraced one another tight, and proved that for such a cold country, the Norwegians I met have incredibly warm hearts.
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Wounded deep in battle, I stand stuffed like some soldier undaunted
To her Cheshire smile I’ll stand on file, she’s all I ever wantedㅤㅤㅤㅤㅤㅤㅤㅤ
At this point it was once again confirmed that Bruce and his Band of 40 years had fulfilled their promise to make something out of “nothing”. 25,000 people who a few hours before had been jumping to Badlands, and dancing to a Seeger/Springsteen classic, were now all stood paralysed by their emotion. Bruce did it so well. He did it like a Boss. My electric surges free…
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As the first night in Oslo came to a close, we thundered through the defining song of the mid 80′s – Born In The U.S.A. Even though I’ve now heard it a few times, I won’t ever tire of that notion that I am singing that song with Bruce Springsteen… Even before I was a fan of Bruce, I knew that song, and I knew how cool it would have been to be at an ’84 Stadium show. For the few minutes the Band played the anthem that the song became, I was transported back to a time 10 years before I had even been born. At song 27, a few minutes short of the 3 hour mark, the Band played their ultimate tribute to Clarence and Danny, 10th-Avenue Freeze Out. As it transpired, this would be the second to last time it would ever be played with the 2 – 3 minute interlude of remembrance for Clarence and Danny. While Bruce stood alone in the crowd paying homage to his best friend, and I stood alone doing the same thing, I took this picture of Nils, and captured what it means to miss someone.
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Leaving the show after night 1 it was an inescapable fact that I had just been a part of something greater than human. It was both an exorcism of bad, and a reminder of good. The message that FAITH will be REWARDED was proven, and the Norwegians – who are famously reserved with showing emotion – left with tears in their eyes. I know I did, and even nearly 2 weeks on, they’re still stinging. The next night came and shook things up. If night 1 was a communion, night 2 was a dance party.
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The show opener was arguably the greatest I have ever heard. A re-jigged version of 92′s ‘Leap of Faith’, fitted Bruce’s voice perfectly, and was like the mechanical build up to the start of something big. The lyrics were screamed by all to high heavens, and the crowd were noticeably more animated than the night before. The tone was set, an 80′s rock-fest as opposed to a 70′s soul excursion. With that said, the set openers included two hits from the Born In The U.S.A. album, including “Downbound Train” which allowed Bruce’s voice to soar. Out In The Street concluded the Wrecking Ball trio, and took me back to the day all those years ago that I heard Bruce for the first time, and fell in love. After – yet another! – rendition of Spirit In The Night, Bruce stepped up to the microphone and gave us a lecture on love, and on Savin’ Up. A song he originally penned for Clarence, as soon as it occurred to me what Bruce was about to play, my eyes got stingy, and my heart jumped. The Boss explained that he was going to become our ‘financial adviser’ for the evening, and talked about Saving Up… Saving Up… Saving Up, but not money! Rather, for something that money can’t buy - love. Springsteen’s voice echoed the rich sentiments of Clarences, and I smiled thinking of my favourite rendition of the song from C’s ‘Live in Asbury Park’. Roy’s piano was painstakingly beautiful, and whilst we missed Clarence with all our hearts – and no-one more than Bruce – as soon as the Band launched into the soul rocking classic, I remembered Clarence’s words “I wanna welcome you all to the Church of what’s happening now, right now… I wanna dedicate this song to all of my rich friends, with everything in their hearts and nothing in their pockets.” You may have diamonds, you may have pearls… The Band played the song perfectly, so perfectly in fact that I could almost feel the salty fresh breeze of Asbury Park, as if I was at that famous gig that I’d missed from way back in 2002.
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Another tear jerker was to come, with Atlantic City. When Bruce sang with a contrasting seriousness to the song before, “maybe everything that dies, some day comes back”, I thought of how true it was that whilst it is ‘only rock ‘n roll’, it’ still ‘all we have’. Open All Night rocked the Telenor Arena nearly to the brink of collapse, and before the encores began we got one of my favourites – Land of Hope and Dreams. To feel the motion of the crowd as they rocked, swayed, and jumped together was extraordinary… the perfect crowd.
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Back in November 2010, I remember distinctly hearing for the first time the – unreleased – 1978 live recording of “The Promise”. I said to myself, “the moment that music became the most important thing in my life just happened”. I was 16. It was the first time I heard the non-acoustic version of “The Promise”, and being in a place of tremendous emotional turmoil, the sentiments of “All my life I fought this fight, the fight that no man can ever win. Every day it just gets harder to live this dream I’m believing in…” rung true. It was a painfully truthful reflection of the way my life was, and became a song I’d listen to almost as intensely as Racing. When, last year in Manchester, I heard it solo piano, my tears weren’t due to the song, but the rudeness of the drunk people around me, who talked all the way through it. This time, however, being supported by someone who means the world to me, I had the perfect view of Bruce performing the perfect song. I simply cannot describe how good, and moving, it was… You simply had to have been there. Staring at Bruce and feeling elevated out of myself, the spiritual cleansing which that moment brought to me and the audience was immense. Not so much rock ‘n roll, as rock ‘n soul.
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After another Born In The U.S.A. came signature Born to Run, and when Bruce came down onto the mini-stage, and thousands of excited Norwegians surged forwards, my friends and I found ourselves strumming Bruce’s guitar once more. Getting a hold of his arm, we retreated slightly when Bruce returned to the centre mic, our hands as wet as he. Jubilant, we felt soul defined as we took part in E Street’s Rock ‘n Roll baptism.
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With another extraordinary night coming to an end, the vibe at the Telenor Arena was much more physically intense than the night before. That morning, while driving to the Arena, Norwegian Radio was commenting that the crowd hadn’t been as animated as they’d hoped, night 1. Maybe Bruce was aware of this, or maybe the show was going to be different anyway, but the second night had every single Norwegian dancing, and moving, in a way which I am told is incredibly unusual. With some Stevie and Bruce ass shaking came Ramrod, which shows off the most fun side of an incredible Band. Tenth-Avenue Freeze Out threatened to end the show, but as the – final – paused tribute to Clarence and Danny came to an end, Bruce shouted “one more for Oslo!”. We had a fair idea which song this could be, and sure enough – the greatest closer to a show I have ever seen. It was so good, in fact, that it made me want to Shout! As giddy as a man 50 years his junior, Bruce smiled and danced and ran all over the Arena, exclaiming the lyrics to a song originally by The Isley Brothers. It was staggeringly good, and reminded everyone (not that you could possibly forget?), that the E Street Band can move people as much physically, as they can emotionally. As the octaves went higher, and the Band got louder… As Bruce got sweatier, and our feet got sorer… The song reached its climax as the Telenor Arena was awash with happy faces, raised hands, sweat-ridden bodies, and rejuvenated souls. The E Street Band had travelled thousands of miles, and fulfilled their ‘solemn vow’ to rock the hoooouuusssee!
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As Bruce looked back one last time before descending down the stairs into the backstage area, he gave Oslo a look as though to say – we’ll be back. Looking behind me, I saw people hugging, laughing, smiling, and thirsting for water. It was evident that the experience had been, for everyone, something more than a ‘simple’ rock concert. It was life-affirming. As my plane taxied down the tarmac a couple of days later, my heart was filled with a sadness. To experience something so special, with people so dear, only to fly away is a hard reality behind touring with a band… However, as the plane pointed its nose towards Sweden, more concerts, and more adventures, I remembered what Nils and I had been talking about all those days before. Evolution… Evolution…
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Evolution.
Tagged: Adulthood, Beauty, Bruce Springsteen, Clarence Clemons, Dreams, E Street Band, Europe, Freedom, God, Happiness, Heartland Rock, Humanity, Jens Stoltenberg, Labour, Life, Live Music, Love, Music, Norway, Oslo, People, Revolution, Rock Music, School, Society, Springsteen, Telenor Arena, Travel, Wrecking Ball, Wrecking Ball Tour






































